By Carly DeFilippo

This weekend marks the climax of the 2014 culinary awards season, as the industry’s leading chefs and culinary professionals head to Lincoln Center’s David H. Koch Theater for the 24th annual James Beard Awards. For the second year running, ICE Culinary Management alum Matthew Riznyk will be the host chef at Friday’s 2014 Book, Broadcast and Journalism Awards.

From busser to waiter, chef to purchaser, bartender to maître d’, Riznyk has worn many hats in the restaurant industry. In his current role as the Executive Chef of Great Performances, Manhattan’s premier catering company, he oversees the culinary production for many of the city’s most elaborate and elite events. In anticipation of tomorrow’s very special James Beard event, we caught up with Riznyk to discuss the arc of his career, what he’s learned from his varied roles in the restaurant business and what it’s like to serve dinner to several hundred VIPs.


What inspired you to enroll at ICE?

Though I’m originally from the New York area, I had gone out west to open up the JW Marriot in Scottsdale and then transferred to the Coronado Island Marriot in San Diego. I was working restaurants since I was fifteen or so, but around age 21 I decided that it was time to get serious about a career, so I came back to New York and enrolled at ICE while working at a restaurant in Westchester.

I really liked ICE’s tenure; it had a long standing tradition of culinary success and a great teaching program. And since I wasn’t coming straight out of high school and this wasn’t my first experience in the hospitality industry, I was looking for more of an intensive course. This way I could continue to work, rather than making a full-time four year investment. I really appreciated the opportunity to learn quickly, take that knowledge and put it to use.

I chose the Culinary Management program because, throughout my career, I’ve bounced around a little bit. Even in the same company, whether I was with a restaurant or at the hotel, I’d start off as a cook and then I’d pick up a bar shift here and there, and then I’d go back to cooking, then I’d go to serving, then I’d explore a different area. I’m kind of a sucker for knowledge, so I always like to learn a lot about different areas of the business.

Were there any instructors in particular who influenced you at ICE?

I remember Richard Vayda in particular as a Culinary Management instructor. He had great energy and an amazing way with people—very down to earth but just incredibly talented and informative.

What happened after graduation?

I got a spot in the management training program with Myriad Restaurant Group. I think that having an ICE education on my resume really allowed the doors to be opened a little bit. With my various work experience alone, I probably wouldn’t have been accepted into the program. In that program, I started at Tribeca Grill and basically worked through every position there from cook to buser to runner to server to maître d’—everything. After a few months, I was made general manager of (the now closed) Layla, which was a big step, and I think it was a test. When Layla closed, I accepted the job of the Director of Purchasing for the Tribeca Grill and most of the other Myriad group restaurants. My role was to streamline purchasing for the whole group, and I also worked with their consulting arm to open some hotels in Kentucky, Providence and New Jersey.

So how did you end up at Great Performances?

When I left Myriad, I realized that I had worked in restaurants (front of the house and back of the house), at the bar, in consulting, purchasing and all these different roles in hotels and restaurants—but I had never really done catering before. With my personality, I was always looking to learn something different, so I took a position as a freelance cook at Great Performances and worked my way up for the last seven years.

You’ve really done it all; it’s amazing that you’ve had so many different careers

Exactly. And I mean, you know, I think I did the absolute right thing. Because now I take with me not only the experience of cooking but the experience of managing a room or a floor, knowing how food gets purchased—where it comes from and how it gets served— the whole process. I think that’s really helped me build my career and move up the ladder, because I understand all aspects of the business rather than just being focused in on one area.


The James Beard Award is a veritable “Who’s Who” of the industry’s top chefs, media personalities and other culinary professionals. (Photo credit:

As far as the James Beard Awards, what exactly is your role?

This will be my second year as the Host Chef for the Book, Broadcast and Journalism Awards. We develop all the hors d’oeuvres and the cocktail hour for the event, which are my recipes, and then support the guest chefs that they choose. When they come in from out of town, they work in our kitchen, we help them source their product, we give them prep, our equipment, and then also support their onsite execution, because a lot of them don’t have a lot of experience doing an event for 400 people in a tight timeline. We’re able to utilize our resources and our knowledge to help these world-class chefs take their food from an a la carte perspective to a catering perspective.

What would you say to ICE students who are thinking about catering as a future career path?

You have to have a passion for catering. Unlike a restaurant, it’s not just “a protein, a starch and a veg” on the plate and how quickly can get it on the table. We’re creating restaurant quality and style food in a large format. So it’s taking all the passion that you have for food, flavors, textures, plating—all those things that we love as chefs—and pairing it with a strong logistical and operational mindset as to how to get it done. It ends up being a lot more management. In most restaurants, even in really large restaurants, the kitchen staff is maybe ten or twenty people, whereas I oversee over 200 people. So it’s a lot of high-end culinary work, but also a ton of logistic, operational, management, and business acumen as well.


By Carly DeFilippo

As the Dean of ICE’s School of Business & Management StudiesSteve Zagor oversees one of the most innovative culinary business programs in the country. He has mentored countless alumni—from Jim Nawn of Agricola Eatery to Jason Soloway of Wallflower, Mark Sy of Vien to Christina Ha of Macaron Parlour. In fact, those four students-turned-entrepreneurs hail from just one of Steve’s graduating classes. Multiply their success by his 10+ years as a teacher (not to mention his lengthy career as a restaurateur and consultant) and you’ll get a ballpark idea of Steve’s undeniable impact on today’s culinary industry.

Business Class-045

Growing up in New York City, Steve’s parents were friends with a number of successful restaurateurs, most notably the owners of historic speakeasy the 21 Club. So after his undergraduate studies at Tulane, it was no surprise to Steve’s friends and family when he chose to pursue a Master’s degree at Cornell’s renowned hotel school, with the intention of one day returning to the New York restaurant scene.

Yet after a three-year stint at Marriott Hotels, which “taught him how to make money” in the business, Steve bypassed New York for a more ambitious project in the American south, opening the 300-seat “New York Café” in Houston, Texas. At the mere age of 26, this first entrepreneurial venture was a home run. Not only was Steve a local hero, but he was also written up as the “hippest lunch spot in Texas” in Rolling Stone. His business expanded to a small restaurant empire, including “the best deli in Texas”, a cafe with singing waiters and a huge off-premises catering service. But in the ninth year of the New York Café’s ten-year lease, Steve’s landlord announced he wanted to build a high-rise on the property.

Steve has even coached the pros—current and former NFL players—on the ins and outs of the restaurant business.

Steve has even coached the pros—current and former NFL players—on the ins and outs of the restaurant business.

Finding the opportunity in this unexpected turn of events—an essential skill he teaches our Culinary Management students—Steve sold his business to pursue work in corporate food & beverage consulting. That is, until he met the “crazy brilliant, genius IQ” Shelley Fireman of The Fireman Group. Steve couldn’t resist Fireman’s offer to oversee management at Midtown’s trendy Trattoria del Arte, boasting 170 employees and an unbeatable celebrity clientele. Steve describes the work as so engaging that he barely cared about the grueling hours.

But after three years at one of New York’s top Italian restaurants, Steve was itching to try his hand at something new and lay his stakes on a restaurant in Greenwich, CT. Yet unlike his “home run” in Houston, the Greenwich restaurant was a challenge from the get-go. Opened during one of the snowiest winters in New England history, the restaurant had too many investors and not enough success to sustain the venture. Today, Steve credits this failure as much as his success in his formation as a teacher. “Your life is how you handle the bad times,” he says, and having instructors who have weathered such failures is of inherent value to any business education.

Business Class-024

Steve returned to consulting and began teaching at New York University. In 2001, he joined the faculty of ICE’s Culinary Management program and was named program director later that year. A charismatic lecturer himself—known for the occasional magic trick and his stand-up comedy style—Steve knew he wanted to diversity our students’ experience. Since then, he regularly taps into his wide network of contacts to invite successful culinary entrepreneurs to speak with our students or integrate field trips into the curriculum, expanding both the diversity of our students’ educational experience and their access to networking opportunities.

Today, Steve maintains an active consulting practice—as do all ICE management instructors In his long list of clients, he has worked with everyone from Federal Express to Universal Studios, Paul Newman to the Time Warner Center in New York City, and is frequently quoted as an industry expert in the media. This year, Steve and his Culinary Management colleagues have also added a new consulting division to ICE’s roster of services—offering clients the combined expertise of our top-notch faculty, while simultaneously providing students with a first-hand opportunity to work on the next generation of culinary businesses.

Despite all his success, what is perhaps most impressive about Steve is the endless hours he spends mentoring our students and alumni. His sage advice always comes with a side of salty humor, generating an enviable list of witty one-liners that sum up his wealth of wisdom and experience. With his deep connections to the industry and New York as his classroom, it’s safe to say that a day in Steve’s class is unlike any other.


By Stephen Zagor, Dean, School of Business and Management Studies

Living in New York City and partaking in its incredible culinary scene often leads to an inflated food ego. How can we learn anything from chefs or owners outside of NYC, the cradle of modern culinary civilization?

As it turns out, John Gorham, the well-known and successful chef/owner of Toro Bravo and two other Portland, Oregon restaurants, has quite a few things to teach us. He spoke at ICE as the latest guest in our Meet the Culinary Entrepreneur series. In his modest and unassuming way, John shared important lessons about running a successful restaurant, whether in New York City, Portland or beyond.

Courtesy of Portland Monthly Magazine

Courtesy of Portland Monthly Magazine

For almost two hours John captivated the room with his story of growth and development, both personally and professionally. He opened Toro Bravo, his flagship Spanish Tapas style restaurant, over five years ago for $180,000, and crowds still line up daily. Later came his next two restaurants, both carefully crafted to fill a market niche: Tasty n Sons, a neighborhood brunch-centric restaurant and Tasty n Alder, a steak house that also caters to the brunch crowd.

According to Gorham, all of his restaurants have shown positive cash flow in just month one, with total capital investments paid off in under a year. Not bad for a man who sees himself as just a simple guy from North Carolina who started making charcuterie on a whim.

courtesy of

Courtesy of

Gorham’s lessons don’t end there. He and his team go out of their way to make sure that all employees are treated well. His chefs and managers work only four days a week—a schedule that is almost unheard of in New York City’s culinary scene. Working fewer days allows Gorham’s employees to maintain work-life balance and show up to work well-rested and focused. Gorham himself tries to keep a balanced life, taking weekends off and keeping Sundays free to spend with his wife and kids.

As far as a marketing strategy, John doesn’t use PR or advertising and thinks social media is overrated. He prefers to promote business through charities and local events. He realizes that the appeal of his restaurants are their party-like atmosphere and sells over 40% of his revenue in alcohol. And he pays well, too—waiters make $10.00/hr plus tips (the state regulated minimum wage) and his kitchen staff starts at $14.00 per hour. Add to that the lower cost of living in Oregon, and it all seems pretty enticing. Does John really work for the local Chamber of Commerce?

Courtesy of

Courtesy of

Has it all been great? Of course not. John described a falling out with an early partner who he still doesn’t speak to. He mentioned that the original $180,000 investment was too low, resulting in cheap equipment that broke almost immediately and cost even more to replace. He’s been sued from time to time and has learned many hard lessons along the way.

Despite these bumps in the road, Gorham has enjoyed tremendous success as a business man and restaurateur. When asked if he would ever open a place outside of Portland, he commented: “Not likely. There is still a lot of opportunity in Portland.” It’s a smart, conservative comment from the “simple guy from North Carolina” who taught us New Yorkers a thing or two. “Take it slow and know how to how to manage money,” he said. Good advice from a winner.

ICE’s Culinary Management Instructors are seasoned industry professionals who are still active in the industry, working on their own projects while teaching classes at ICE. With such a wide range of experience between them, we decided to ask Julia Heyer and Vin McCann to take a closer look at some of the trends and culinary businesses we keep hearing so much about. Their first post was about NBC’s America’s Next Great Restaurant. Now that the winner of the show has closed his restaurants, they decided to revisit the show.

Julia Heyer
About a month ago, a new restaurant closed its doors within weeks of opening — generally a bit of a non-event in NYC. However, in this case it garnered some news as it had been the winning ‘concept’ of America’s Next Great Restaurant, the TV show we didn’t lose any love for in our first blog post here.

Restaurants are a tough industry to break into in general — but what if you can’t even make it given financial backing, “mentoring” by some industry experts (and unknowns presented as such), the operations machine of Chipotle behind it, good locations and national marketing on a level an ordinary operator can only dream of? What went wrong here?

The cynic in me asks where to start. Well, number 1: Opening one restaurant is no picnic. Trying to open THREE, at the same time, in COMPLETELY different areas of the country seemed like a, well I could call it less prudent, but really, just mind bogglingly DUMB idea from the beginning — especially with a NEW concept that will need to be honed, tweaked and adjusted. And yes, all concepts need that in the beginning, no matter who the operator is or how genius the idea seems.

Vin McCann
Of course the idea was stupid and unsurprisingly it failed. I don’t normally think of you as cynical, Julia, and true to form, you are simply not cynical enough. The show was canceled after the first season, but the producers had to deliver on their promise of a new national chain with three versions of a new concept in three different markets at the same time. Without the ratings to continue on it was a matter of just getting it done — here today, gone tomorrow. One has to wonder what the lease terms of the Soul Daddy locations were — 60 to 90 days? Despite doing sales the store in downtown NYC didn’t stay open long enough to determine if it was a viable business or not. It was just a continuation of the show’s script, and the ending had been written well in advance. More…

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