Jenny McCoy Ganache Chocolate Pastry

Photo Credit: Pernille Loof

By Jenny McCoy—Chef Instructor, School of Pastry & Baking Arts

Ganache—which calls for only two ingredients, heavy cream and bittersweet chocolate—is one of the easiest and most fundamental recipes in a pastry chef’s repertoire. Chop chocolate finely, add hot heavy cream, mix them together and voilà, you’re done! While the concept for ganache is quite simple, there are a few basic principles you should know. Once mastered, you’ll find that the uses for ganache are nearly endless, providing plenty of room for creativity in the kitchen!

The Golden Ratios

The ratios listed below are for bittersweet chocolate, not for milk or white chocolate. Milk and white chocolate have a lot of added sugar and/or milk, which means they react in an entirely different way.

  • For a chocolate sauce or a pourable glaze, use one part chocolate to two parts heavy cream.
  • For a thicker cake glaze or a whipped cake filling, combine equal parts chocolate and cream.
  • For a very thick ganache that you could scoop for chocolate truffles, combine two parts chocolate to one part heavy cream.

As you can see, the science is quite easy. If you want a thinner ganache, add more heavy cream. If you want a thicker ganache, add more chocolate. When you consider the textures of the two ingredients at room temperature—chocolate is solid and heavy cream is liquid—it makes sense, right? Once you cool or chill your ganache, the texture will be entirely dictated by the ratio of cream to chocolate that you’ve used.

Choose Your Ingredients

The type of bittersweet chocolate you choose will have a direct effect on the texture and flavor of your ganache. Typically, the more simple a recipe is, the more important it is that you use the best quality ingredients you can find. Fine chocolates, like wine, have a variety of subtle and bold flavors layered within them. Some chocolate might have a bright and fruity flavor while others might have an earthy or smoky flavor. Considering these subtle flavor qualities will make a big difference—particularly if you plan to make truffles, which are essentially a single bite of ganache.

You should also consider the cocoa percentage in the chocolate used. The higher the percentage, the more cocoa solids are present in the chocolate. A higher percentage essentially indicates that less sugar is in the chocolate and vice versa for chocolate with lower percentages. These percentages will affect the texture of your ganache. Like eating a bar of intense 80% chocolate versus a bar of 60% cocoa, the texture of a ganache made with darker chocolate will be more firm, whereas ganache made with lighter chocolate will be softer. Scientifically, this is because added sugar softens chocolate and acts like a liquid when chocolate melts.

As for the heavy cream, I recommend choosing a variety with the highest fat content possible. In grocery stores, most heavy cream has about 36% milk fat, but many professional kitchens opt for heavy cream with 40% milk fat. Higher milk fat content provides richer flavor, smoother texture and a more stable ganache. (Note: please do not be confused by “whipping cream.” It usually contains about 30% milk fat. While it can technically be used for ganache, the results are inferior.)

Chocolate Ganache Glaze Cake Jenny McCoy

Photo Credit: Pernille Loof

Key Techniques

There are a few key guidelines for preparing ganache, all of which are very easy to follow.

  • Finely chop your chocolate. This allows the chocolate to melt more evenly, especially when making a thicker ganache that requires more chocolate than heavy cream.
  • Bring the heavy cream to a simmer, not a full boil. It’s very easy to scorch heavy cream, so take care when heating it and stir frequently.
  • Pour the hot cream over the chopped chocolate and let it sit for a few minutes. Ensure that the chocolate is fully submerged in the hot cream as it sits. This begins the melting process of the chocolate and makes mixing the two ingredients quick and easy.
  • There are two ways to properly mix ganache:
    • For a perfectly smooth ganache, use a rubber spatula to combine the two ingredients. This will take a bit more time but results in exceptional truffle fillings or smooth cake glazes that are absolutely air bubble-free.
    • For a light, whipped ganache (used to frost a cake or as a cake filling), use a whisk. Whipping air into the ganache will also help it thicken and become more stable.

Add Extra Flavor

Ganache can be flavored with just about anything! Here are a few methods for developing your signature recipe.

  • Infusion: Infuse the hot cream with herbs and spices like fresh lavender, rosemary or whole pink peppercorns. You can also steep tea leaves or coffee in your heavy cream.
  • Incorporation: Add ground spices to the finished ganache, such as cinnamon or cayenne. Citrus zest, extracts or liqueurs are also fair game.
  • Substitution: For a fruity spin on ganache, substitute some of the heavy cream for fresh fruit purée.

With these guidelines in mind, it’s up to you to experiment and discover what ganache preparations you like best. Try using a whisk and a spatula. Infuse flavor into your cream. Or simply play around with the ratio of chocolate to cream. Take copious notes when you do! You never know when you’ll make a batch that comes out just right.

Ready to master ganache and other essential techniques? Click here to learn more about ICE’s Pastry & Baking Arts program.

Michael Laiskonis—Creative Director

What’s the latest news from Brookfield Place? The Chocolate Lab at ICE’s new facility is fully operational, and chocolate making on our bean-to-bar Cacao Cucina equipment has begun in earnest. Batches both large and small are ready for tasting, featuring beans from a wide range of origins, including the Dominican Republic, Ecuador, Trinidad and the Ivory Coast. And after many a dark chocolate batch, our first milk chocolate just rolled off the assembly line – with a heady 50% cocoa solids.

As we gear up for increased production and the first of our bean-to-bar classes this fall, I’ve compiled some surprising facts about the different stages of the chocolate making process. These observations may be old hat to professional chocolate makers, but they are rarely—if ever—considered by chefs and consumers.

Raw Chocolate Sorting Beans Chocolate Lab Bean to Bar

Raw Beans
Straight out of the bag, fermented and dried beans present a serious microbiological risk, including E. coli and salmonella. Outbreaks linked to chocolate are rare, but the risk necessitates proper handling and storage. Simply put, I treat raw beans as if they were raw meat. Also, raw beans must be carefully sorted and cleaned of the various debris found in each bag (flat and moldy beans, stones, leaves, sticks, etc.). If that’s not enough, it isn’t uncommon for tropical moth eggs to hitch a ride on the surface of a cocoa bean! All of the beans that arrive at ICE’s lab are immediately bagged, sealed and chilled until roasting—before any of those tiny wings get an opportunity to hatch.

In addition to providing the only bacteria and moth “kill step” that renders the beans safe to consume, roasting allows for critical flavor development of the cocoa bean, further developing the precursors created during fermentation. Roasting also reduces the moisture content of the dried bean (chocolatiers always seek to minimize the amount of water in finished chocolate), which upon delivery is around 6-8%. Roasting parameters vary by bean type, origin, quantity and the desired flavor profiles—but typically roasters aim for 30-60 minutes or more at temperatures in the range of 300-350°F. Determining “doneness” is mostly subjective and instinctive. Chocolatiers primarily go by smell and taste, but also closely monitor the temperature of the bean mass throughout the process.

After roasting, the beans must be cracked and winnowed, separating the nibs from the shell. The shell alone can account for almost 15% of the roasted bean by weight and adversely affects the flavor and texture of finished chocolate. What’s more, the shell contains elevated levels of toxic heavy metals. Unsurprisingly, the acceptable industry standard for shell content in processed nibs is less than 1%.

Roasting Winnowing Chocolate Production Bean to Bar

Roasting beans and winnowed cocoa nibs

In most cocoa processing systems a “pre-grinding” of the nibs is necessary, to reduce both overall processing time and the eventual wear on refining machines. After grinding, the nibs are reduced to a thick paste referred to as “chocolate liquor,” with a mean particle size around 100 microns. (And yes, the term “liquor” is confusing to many, as there is no actual alcohol involved!)

Pressing Cocoa Butter
A portion of the liquor can be pressed to produce cocoa butter, which makes up roughly 50% of the beans’ weight. In the lab, this process takes one to two hours and nearly 65 tons of force. The remaining byproduct—known as “press cake”—can be further processed into cocoa powder.

Unlike the deodorized cocoa butter most chefs are familiar with, freshly pressed butter reflects the flavor compounds from the original beans. As most fine chocolate has a total fat content of 35-40% by weight, this additional cocoa butter can be added to boost the final percentage. For some single origin enthusiasts, this added butter makes or breaks a product’s bean-to-bar status, depending on whether or not the extra butter and original liquor are extracted from the same batch of beans.

Refining reduces the particle size of the liquor to an average of 20 microns. The human tongue can begin to detect grittiness at particle sizes larger than 35 microns, but reducing particle size below 20 microns increases the surface area of the cocoa butter, resulting in an unpleasantly thick consistency.

Refining is also the point in the bean-to-bar process at which other ingredients are introduced—sugar, additional cocoa butter, whole milk powder, etc. This process is achieved by an array of different machines, from stone melangeurs to roller refiners. Some systems, like our ball mill, work as a “universal,” allowing for “conching” to occur simultaneously with refining, due to the addition of temperature and airflow control.

Cocoa Butter Sifting Chocolate Refining Bean to Bar

Freshly pressed cocoa butter and sifting chocolate liquor

Conching—which involves heat, airflow and agitation—is critical for flavor development (removing unwanted volatile compounds), texture (coating the solid particles with cocoa butter) and further moisture reduction. This process can last for hours or days, depending on the desired results. However, conching time alone is not necessarily a measure of quality.

The final “recipe” for a batch of chocolate is determined by the addition of other ingredients, and will vary depending on such factors as bean type, desired flavor profile and application. The percentage you see on the label of finished chocolate refers to the total amount of cocoa solids by weight—meaning the nibs or liquor plus any added cocoa butter. This number alone is quantitative, not qualitative—a 70% chocolate may be 70% nibs or any equivalent combination of nibs and cocoa butter. Therefore, these percentages may not offer much insight into flavor, but they can tell us how much sugar was added. The percentage of sugar simply equals 100 minus the cocoa percentage (accounting for less than 1% additional vanilla or stabilizers like lecithin, etc.).

Before tempering, it is beneficial to sift or strain the finished chocolate through vibrating screens to remove any large particles that are difficult to refine—notably the “radicle” (or germ stem) that is a part of each bean. This hard stem is very bitter and can produce a gritty texture if left in the chocolate. Integrating a pass by powerful magnets into the sifting process can also eliminate the worry of any remaining hard metals in the chocolate.

Finished Chocolate Bean to Bar Aging

While the aging process is not well understood or widely researched, both large manufacturers and small-batch artisans agree that several weeks of aging finished chocolate allows for better, rounder flavor. Large companies inherently allow for this process in their distribution network, while artisan producers will hold chocolate batches in reserve for two months or more before tempering, molding and packaging. None of our batches is more than three or four weeks old at this point, but I’m eager to experience the aging process for myself. I’m reserving most of each batch to evaluate the effects of aging, but with so many of our students and staff eager for a taste, I’m also already molding small quantities for the instant gratification of our efforts!

Can’t wait to check out ICE’s Chocolate Lab? Sign up for bean-to-bar classes with Chef Michael.


By Michael Laiskonis, Creative Director and Instructor, Advanced Pastry Studies

On the surface of things, there were no overt signs that I would ever become a professional cook. I’ve only come to appreciate any early, subtle triggers in hindsight. So many of our tastes and habits stem from the rituals we participate in at a young age, especially those that involve food. For many chefs, these rituals act as catalysts, informing their career paths. These memories are so strong that we are constantly looking to feed a hunger for nostalgia, both for ourselves and for those we cook for. In particular, as a pastry chef, I’ve come to appreciate the subtle and not so subtle roles sweetness plays in our lives.


No offense to my well-meaning parents, but I didn’t grow up with much exposure to the wonders of gastronomy. I had no revelatory, life-changing encounters with caviar, oysters or foie gras at a young age. Nor was I some constant, curious shadow lurking in the kitchen, an ever-present tot tugging at my mother’s apron strings. Mealtime was always an important family gathering, but the food at the heart of it tended toward the utilitarian. We ate from a steady rotation of modest middle class fare: pot roast, spaghetti, meatloaf and casseroles of all kinds. My mother was a good cook, but the budget never allowed for much beyond the basics, and dining out at restaurants was a rare luxury.

Of course, coming of age in early 80s suburbia didn’t set the stage for much culinary adventure. The average supermarket chain was still barren of the bounty of fresh ingredients we take for granted today—exotic fruits, fancy cheeses, or any semblance of authentic ethnic or seasonal fare. Though both of my parents grew up on farms, the cultural turbulence of the 60s and the transition from rural to suburban life nearly severed that connection within one generation. By the time I was born, both sets of my grandparents had all but sold off their land in northern Michigan.

Only later, as a cook, would I truly appreciate the agrarian tradition in my not-so-distant past. I eagerly soaked up any stories I could coax from both sets of my grandparents before they passed away. (My father grew up with several dozen head of dairy cattle and a modest egg business supplied by nearly 400 laying hens. As a youngster, his chores included feeding the newly born calves twice a day and gathering eggs. As soon as he was old enough to manage the wheel of a tractor, he spent summers in the fields—some 150 acres his father planted with soy, corn, buckwheat and string beans.) I wanted to know when my grandfather, Stanley, planted the winter wheat, and the detailed laying cycle of his hens. I treasure the amusing tales told of cattle breeding mishaps and his rather unscientific experiments in homemade hooch and dandelion wine. When I was eight years old, I stood squeamishly by my grandfather’s side as he quickly scaled and gutted a tiny bluegill—the first fish I ever caught on my own. It was an important rite of passage. Neither of us could have known at that visceral moment that I’d one day work at one of the world’s most renowned fish restaurants.

One of Michael's many experiments with gelatin-based confections.

One of Michael’s many experiments with gelatin-based confections.

The colder, shorter days that descend with the slow creep of autumn always brought special associations. Until I was old enough to know better, I believed that the true purpose of Thanksgiving was that my birthday always lay within a few days of our traditional family gathering. Thanks to Geraldine, my paternal grandmother, I still associate pumpkin pie with birthday cake. The lavish holiday spreads she produced—seemingly out of thin air—catered to every taste at the table, though I appreciated most the special attention she paid to my own particular likes and dislikes (whatever they were at any given time of my adolescence). Geraldine also curated a secret cookie drawer, packed so full it barely opened and closed. Upon every arrival and departure from the house, my sister Amy and I always had free reign to whatever we could hold onto or stuff into our mouths. Though today I might incorporate sophisticated gelées into decidedly adult desserts, the history of my competitive nature is also linked to gelatinized desserts—by way of Jell-O “races” I challenged my great uncle to. A quiet mentor to me throughout my adolescence, Uncle Ed always made sure I won, though I rarely made it through a full bowl without forfeiting to giggle fits.

Another annual ritual would take place a few weeks later, perhaps some snowy afternoon in December. The four of us—Mom, Dad, my sister, and me—would pore through the dog-eared collection of cookbooks and handwritten recipe cards in the cupboard, and we’d each choose our favorite cookie recipes. Then we’d commence production: Dad measured, Amy and I mixed, and then Mom navigated the endless trays of dough in and out of the ovens. As a half dozen or more varieties cooled on every available inch of counter space, the windows would begin to fog, and the whole house was awash with the scent of all that freshly baked goodness. Over the coming days these cookies would be divided into parcels to be delivered to friends, family and neighbors. With any luck, our own personal stash would hold out until at least Christmas Eve. Even amidst the rush and clatter of a professional kitchen, I occasionally channel that feeling of anticipation and collective effort when reflecting upon an oven full of pastry.

While pastry chef at Le Bernardin, I always looked forward to the annual holiday party for the staff and their families, held on a Saturday in mid-December. Setting aside the sophisticated sweets served in the dining room, it was the one day of the year our pastry kitchen turned out simple classics like cream puffs, brownies and even sugar cookies in the shape of snowmen. Over the years, a clear favorite from that repertoire emerged among the cooks, waiters and their children alike: my triple chocolate chip cookies. Comprised of a cocoa-enriched dough packed with milk and white chocolate chips, these humble, nostalgic cookies evoke the essence of my own roots and family rituals.


Triple Chocolate Cookies

Yield: 700g or about two dozen medium-sized cookies

  • 130g all purpose flour
  • 50g cocoa powder, Dutch-process
  • 4g baking soda
  • 110g sucrose
  • 55g dark brown sugar
  • 115g unsalted butter
  • 1 whole egg
  • 100g milk chocolate chips or chunks
  • 100g white chocolate chips or chunks
  1. Sift together the flour, cocoa powder and baking soda. Set aside.
  2. Separately, in the bowl of an electric stand mixer, combine the sugar, brown sugar and butter. Beat with a paddle attachment until smooth and creamy. Add the egg, mixing until combined.
  3. Slowly add the sifted dry ingredients, mixing just until combined, followed by the chocolate chips.
  4. Divide the dough into roughly 25g portions and arrange on prepared parchment or Silpat-lined sheet pans.
  5. Bake the cookies in a convection oven pre-heated to 320°F (or 350°F in a conventional home oven) for 10 to 12 minutes, rotating the pans halfway through the baking process.

Interested in taking classes with Chef Michael? Check out his full range of Advanced Pastry Classes at ICE.

By Michael Laiskonis, ICE Creative Director

Preparations are well underway as ICE staff and students anticipate the move from our 23rd Street facility to Brookfield Place in Lower Manhattan. As construction hums away, the lines set down on paper blueprints are turning into reality, revealing an immersive, state-of-the-art atmosphere for cooking and study. In addition to dedicated rooms for culinary technology, charcuterie, mixology and wine studies, I’m excited to announce that the new facility will contain a chocolate lab, complete with a full range of “bean to bar” equipment.

13. Finished Bar

The vision for the 550 square ft. lab is to approach chocolate from a holistic perspective. Truly unique in the realm of culinary education, the lab will provide knowledge and inspiration across a broad spectrum of hands-on applications—for our career students and recreational cooks, as well as for established pastry chefs and professionals seeking to learn the finer points of artisanal chocolate production. An underlying spirit of research and development into the technical science and the mystical art of chocolate will drive the wide array of program offerings.

1. Raw Beans

This past summer, I had the privilege of visiting Cacao Cucina, the facility producing our bean-to-bar equipment. During our visit, ICE’s Chief Marketing Officer, Brian Aronowitz, and I had a chance to test drive these machines over the course of two days. In a field dominated by equipment that serves either small micro-production or large commercial factories, Cacao Cucina provides tools for the “just right” middle ground required at ICE. Preparing batches of roughly 20 to 30 pounds of chocolate will allow us to provide educational opportunities both broad and highly nuanced during each stage of the bean’s transformation. Our processing line will include a roaster, winnower, hammer mill, cocoa butter press and a ball mill refiner.

Roasting beans and winnowed chocolate "nibs"

Roasting beans and winnowed chocolate “nibs”


The process begins with raw, fermented cocoa beans in the roaster, which is a finely-tuned convection oven with a rotating drum that provides an even roast. This important stage of flavor development depends as much on science as it does on experience and taste, as there exists no industry standard for optimal roasting time and temperature across all bean types. Quickly cooled, the roasted beans are then fed into the winnower, which first cracks the bean and then separates and sorts the “nibs” from the papery skin by means of screens, vibration and a vacuum. The nibs then undergo an initial grinding phase in the hammer mill, which pulverizes them into a thick paste, passed through three progressively smaller screens. At this point, though bitter and coarsely textured, we have what is referred to as chocolate “liquor.”

5. Chocolate Liquor

Perhaps the most exciting piece of equipment we will install is the cocoa butter press. When submitted to 75 tons of pressure, the chocolate liquor produces cocoa butter and the resulting “presscake” is further refined into cocoa powder. This additional capability will allow us to make true single origin chocolate, with cocoa butter prepared from the same batch of beans. The final stage of the process takes place in the ball mill—a temperature controlled agitator containing hardened steel balls that acts as a “universal,” which means that reduction in particle size and final flavor development occur simultaneously in the same machine. As the gently heated liquor passes through the ball mill, forced air helps remove undesirable volatile aromas. It is during this refining stage that other ingredients are added: sugar, vanilla, milk powder, cocoa butter, etc. Moreover, two additional quality and safety measures are built into the system: upon extraction of the finished chocolate by vacuum pump, the product passes through both a magnetic trap and a fine sieve before tempering.

Extracted cocoa butter and filtration of chocolate liquor

Extracted cocoa butter and filtration of chocolate liquor

Our lab will be outfitted with a tempering unit and enrobing line from Selmi, as well as molds and other confectionery equipment from Tomric. These tools will help us process our finished chocolate into bars, bonbons and other candies. As the day that we run our very first batch of chocolate quickly approaches, I can’t wait to share the outcome with our students, visitors and other industry professionals. Stay tuned for announcements of the many chocolate-related programs we will offer in the space. Once we are up and running, I encourage everyone to stop by ICE for a glimpse of the process and, of course, to taste our efforts!

Interested in studying with Chef Michael? Click here for his upcoming Advanced Pastry Studies classes at ICE. 

By Carly DeFilippo

While many of us grow up with parents, siblings or friends who dabble in cakes and other pastries, how many of us have ever seen chocolate bars, bon bons or gummy candies in the making? Candy historian and artisan Beth Kimmerle is not only one of the most talented confectioners in the contemporary candy game, but she’s also one of the industry’s most knowledgeable consultants. In anticipation of her upcoming workshop (Sept 17-18) at ICE’s Center for Advanced Pastry Studies, we caught up with Beth to discuss her passion and unusual career path.

candy-jewelry-woman-300What inspired your interest in candy?
I grew up in a suburb of Chicago, which was—and still is—a real candy and chocolate mecca. I also lived briefly in L.A., where I became very aware of See’s Candy (a major candy manufacturer, founded in the 1920s). My career in confections began in product development, buying and marketing for a large candy company called Fannie May Candies. With 250 stores, they were the largest candy retailer in the U.S. and their candy making factory was located next to my office. We manufactured classic American candies: caramels, nougat, buttercreams, marshmallow and hard candy. It was there that I learned how to make candy from some of the best in the business.


A collection Beth curated from the Sweets & Snack Show

How did you start learning about candy history?
Back then, candy was sort of a step-sister to baking or chocolate work and not many culinary programs offered lessons in candy making. As I studied and collected vintage recipe books, I became intrigued by the history of confections. Today, I consider myself a confectionery historian, as well as a futurist. I study the past to understand the present. I understand the present to inform the future. And I continually work toward being a confectionery culinarist by honing my culinary and science knowledge.And you also share that knowledge with others, as a consultant.

Yes,in addition to being an author, I spend much of my time as a marketing consultant for companies. That often means developing a recipe or formula for a product, but I also work on branding and marketing plans around chocolate and candy products. I just got back from a packaging show and research trip in Italy and I’m preparing for a 2-week professional course in the science of candy making.

Moreover, I am trained in sensory evaluation and am currently developing a program that will help non-food people understand the science behind taste. In addition, I am working on a candy-themed exhibit that will be featured at the California State Fair. I really enjoy travel, as it allows me to explore factories and sweets from other cultures. In fact, I still feel like Charlie Bucket when I get an invitation to go into a candy or chocolate factory.


Shane’s Confectionery, Philadelphia

What do you see as the greatest candy-related challenges to the industry?
Commercial sweets are continually challenged, most recently with consumers reviewing labels and becoming adverse to chemical sweeteners and sugar. However, that has opened up a world of opportunity for artisanal candies and has the “candy cousin” category of nutritional bars exploding.

It’s amazing to see what has happened to chocolate recently. We seem to hear about a new bean-to-bar or boutique chocolate company every day. Now, more regions than ever are growing great cacao and more consumers are demanding better product and origin information. As a result—much like the recent revolutions in wine and coffee—the entire system of chocolate production and distribution is changing. Sweets are always exciting!

Click here to sign up for Beth’s class and learn more about advanced pastry studies at ICE!



By Casey Feehan

Five decades may have gone by, but Nutella remains as sweet as ever. The beloved chocolate-hazelnut spread celebrates its 50th anniversary this year with a nation-wide, 16-city food truck tour. In light of the tour, ABC News turned to chefs across the nation, including ICE’s own Director of Culinary Development, Chef James Briscione, to develop iconic Nutella desserts that celebrate the local culinary culture of each of the truck’s 16 stops. James chose to reinterpret Bananas Foster, a classic New Orleans dessert invented in the 1950s. It’s difficult to imagine caramelized bananas and rum leaving room for improvement, but a whipped Nutella cream transforms the dish into a celebration-worthy stunner.

Nutella 50th Anniversary - Banana's Foster Tart with Nutella Mousse - James Briscione /

Bananas Foster Tartlet with Nutella Cream

Yield: 4 servings

For the Frangipane:


  • ¼ cup granulated white sugar
  • Pinch salt
  • 3 tablespoons unsalted butter
  • 1 large egg
  • ½ teaspoon pure vanilla extract
  • ½ cup finely ground hazelnuts or almonds
  • 1 fl oz dark rum
  • 2 tablespoons all-purpose flour


  1. Combine the sugar, salt and butter in a bowl and beat with an electric mixer until light and fluffy.
  2. Add the egg, vanilla and rum; continue mixing until fully incorporated.
  3. Add the ground nuts and flour and fold together until smooth. Refrigerate until ready to use.

Excess frangipane may be stored refrigerated up to 2 weeks.

For the tartlets:


  • 4 (4-inch) rounds puff pastry
  • 2 ripe bananas
  • Granulated sugar, as needed
  • 1 cup heavy whipping cream
  • ½ cup Nutella


  1. Preheat oven to 375° F
  2. Place the rounds of puff pastry on a parchment paper lined baking sheet. Spread the frangipane on the dough, leaving an approximately ¼ inch border. Bake the tart until the crust is risen around the frangipane and lightly browned. Remove from the oven and cool on the pan.
  3. Thinly slice the bananas and tile over the tarts. Spread a thin, even layer of sugar over the tart and brûlée with a torch.
  4. Pour the cream into a chilled bowl and whisk to soft peaks. Place the Nutella in a separate bowl. Whisk half of the whipped cream into the Nutella. Add the remaining cream and fold together until smooth and lightened.
  5. To serve, place the brûléed tart in the center of a plate and top with the Nutella cream.


By Virginia Monaco

ICE Pastry & Baking Arts Chef-Instructor Vicki Wells brings an enormous amount of experience with her into the kitchen. She has worked in some of the country’s finest kitchens, including Sarabeth’s, Hotel Plaza Athenée, Maxim’s, Montrachet, Le Bernardin and Trattoria Dell’Arte. In 2000, she took over the pastry department at two of Bobby Flay’s restaurants—Mesa Grill and Bolo—and later, Bar Americain. Vicki also served as Bobby Flay’s sous chef for all five of his victories on Iron Chef America. After working with Bobby, Vicki held the title of Executive Pastry Chef at Buddakan before eventually joining ICE as a Chef-Instructor.


When Vicki was first starting out in the industry, pastries were French by default. It wasn’t until she had gained some professional experience and started traveling that she became interested in the sweets of other cultures. Being ethnically Italian, Vicki was particularly interested in studying the flavor profiles and techniques used in Italian sweets. Unlike French pastries, Italian desserts tend to be strongly flavored with espresso or gianduja (chocolate-hazelnut paste) and are much more free-form and organic. Her culinary trips to Italy with fellow ICE Chef-Instructor Gerri Sarnataro inspired Vicki to become co-owner and Executive Pastry Chef of L’Arte Della Pasticceria, an Italian-inspired pastry shop in Ramsey, New Jersey.


The transition, however was far from a “cakewalk”. Chef Vicki experienced a steep learning curve as she went from plating elegant restaurant desserts to filling the display cases at a pastry shop. She quickly learned that success in a walk-in style setting such as L’Arte Della Pasticceria requires a much different strategy than at a sit-down restaurant. First, most pastries need to be sold the day they are made or they will quickly lose quality. This means you often need to get inventive and repurpose unsold treats. For example, Chef Vicki often crumbles mocha cookies to form the crust of a cheesecake, a delicious way to use left-over cookies that are starting to harden.


Secondly, Chef Vicki discussed the importance of changing up your pastry display case frequently. She says she is constantly designing new and interesting ways to present her pastries in the display window to entice customers to buy. Lastly, Chef Vicki pointed out that all pastries and food sold at a shop like L’Arte Della Pasticceria must be made available to-go. Consequently, she reworks traditional recipes so that they can either be held in-hand or fit beautifully in small to-go cups.


After her talk, Chef Vicki treated the audience to a flight of small Italian sweets, including torta caprese al limone, chocolate ricciarellis and gianduja cheesecake. All three were both delicious and distinctly flavored. Although these desserts were made using universal pastry techniques, their classic Italian flavors and more rustic presentation made their Mediterranean origins clear.


Chefs Vicki Wells’ path to specializing in Italian pastries is proof that education and innovation never stop in the pastry and baking industry, even for the most skilled veterans. It was a true treat to hear Chef Vicki’s insights and taste her inspired sweets. Without a doubt, she will be wowing our taste buds for years to come!

By Shay Spence

In culinary school, there exists a great divide that all comes down to one crucial distinction: are you savory or sweet?  Here at ICE, students fall into one of these categories, dependent upon whether they choose the culinary or pastry career track.

As a Culinary Arts student for the past five months, I can tell you that the differences between us boil down to a lot more than just sugar and salt. Pastry students are refined. They are meticulously detail-oriented. They are studying a science. We culinary students tend to be a little more…“rough-around the edges.” We deviate from recipes. We like to get creative.


They eased us into pastry with savory pretzels on day one

When Module 4 came around this January and my fellow culinary arts comrades and I were faced with pastry classes, we were all a little bit concerned. A group of savory-loving cooks embarking on a month-long journey of baking and sweets is like unleashing a pack of rabid hyenas on the Westminster Dog Show. Something was bound to go horribly wrong.


Chef Gerri gives a demo on tempering chocolate

Fortunately, we all managed to behave ourselves and actually learn a thing or two. While we all spouted the typical “I’m not the ‘baking’ type” excuse at the beginning, we soon realized that this was a cop-out. To be a well-rounded cook, you must know the fundamentals of pastry. After all, it’s not just sweets that fall under this umbrella; our curriculum included pretzels, bagels, pizza dough, focaccia and a multitude of other savory concoctions that every chef should have in his or her repertoire. Plus, we got to play with chocolate, which is super fun.

While our pastry days were definitely enjoyable, they were not always a “piece of cake.” In fact, whoever came up with the phrase “piece of cake” has obviously never tried to ice a layer cake with a chocolate ganache frosting. I won’t even burden you with a picture of that grand disaster.


Here is my beautiful lemon meringue tartlet, instead.

By the end of the module, our class may have been a little sugared-out, but we certainly felt accomplished. We had experienced how the “other half” lives, ventured outside of our culinary comfort zone and didn’t fail miserably. To me, that is pretty sweet.


By Liz Castner


While the chocolate section of the Pastry & Baking Arts program is certainly a highlight for most students, it was truly transformative for a candy-lover like me. While I love to bake, there’s nothing quite like crafting beautiful, delectable little candies from scratch. However, prior to beginning the chocolate portion of the pastry program, I had yet to spend much time making chocolate candies. Little did I know, my candy-making horizons were about to expand considerably.

My and Amy's chocolate showpiece

Amy and my chocolate showpiece

I have always been a stalwart fan of See’s Candies (a chain in California that makes delicious old fashioned chocolates), but more recently, I’ve been inspired by the modern candy-makers of Brooklyn’s Liddabit Sweets. Liddabit recently published an amazing cookbook that contains truffles, chocolate bars, fruit candies, marshmallows, honeycomb, caramels and toffees; you name it, they’ve got it. And while Liddabit Sweets confections are carried in stores all over Brooklyn, the owners recently opened a store in Manhattan at Chelsea Market.

My salted caramel chocolate bar

My salted caramel chocolate bar

While I continue to be a fan of both See’s Candies and Liddabit Sweets, my 11-day chocolate foray at ICE has expanded my candy horizons considerably. Over that time, I learned key components of chocolate creation that make or break a chocolatier’s success. Number one: chocolate tempering. We used tempered chocolate in every recipe we made, from chocolate clusters to truffles and molded chocolates, to our chocolate showpiece. (All of these pieces have been saved and will be displayed at our graduation ceremony, which will take place December 9th!)

A variety of class chocolates

A variety of class chocolates

Tempered chocolate is chocolate that has been guided through a series of temperature changes and agitations, resulting in a product composed of stable crystals. These allow for the chocolate to set uniformly and provide a satisfying snap when chewed. To temper chocolate, one must first melt chocolate over a bain marie (a double boiler with the chocolate placed in a bowl over a pot of simmering water) up to a certain temperature. Each type of chocolate has a different temperature that it should be heated to – dark is 120 °F, milk is 115 °F, and white is 105-110 °F. The chocolate be stirred the whole time, which aids in the formation of stable crystals.

A classmate's framed chocolates

A classmate’s framed chocolates

After the chocolate is melted, it is removed from heat, stirred vigorously, and (using the seeding method) unmelted chocolate pistoles (small, disc-shaped pieces of high-quality chocolate) are added to the bowl and melted in. The chocolate should then be cooled to 85 °F. This is the typical cooling point for most chocolates, although certain types require higher cooling points. Once the chocolate is brought to the proper temperature, it is considered tempered (though you should test it to make sure), and should remain at that temperature for the entire time you are working with it.

My Shabby-Chic Matcha Green Tea Filled Chocolates

My Shabby-Chic Matcha Green Tea Filled Chocolates

The truffles and the filled, molded chocolates were my favorite candies to make (and the tastiest!). To make molded chocolates, the first step is painting the insides of the chocolate molds with different designs and colors. After painting the inside of the molds, you pour tempered chocolate inside and turn the molds upside down over the bowl, scraping out the excess to insure a thick coating. Once the chocolate sets inside the tempered, painted shell, you can add fillings such as Matcha green tea, salted caramel, and gianduja (hazelnut goodness). The final phase—known as “capping”—requires pouring tempered chocolate over the top of the cooled, filled molds, and scraping off the excess. The chocolate is then chilled for the final time and covered with acetate, creating a smooth bottom. The final product—an artfully crafted and perfectly shaped little morsel—is as beautiful as it is delicious!


Clearly, chocolate making is no small task. However, the end result is so lovely and delectable that it’s entirely worth it. While being a chocolatier is not necessarily my future career path, I love making chocolates, and honestly can’t wait to make more for my friends and family while I’m home in California for Thanksgiving. I’m thinking of creating a Pie Trio – pumpkin pie, apple pie, and pecan pie truffles! I’ll keep you posted on my progress.


By Grace Reynolds


On Tuesday, October 8th, ICE welcomed Guittard Chocolate Company’s Regional Sales Manager, Laura Tornichio-Vidal, and Harney and Sons’ Vice President, Michael Harney, to teach participants the art of a unique pairing: tea and chocolate. While some might deem these two an unlikely couple, an afternoon spent at ICE with Vidal and Harney would convince any skeptic.

chocolate tea box

Selection of six Guittard chocolates, six Harney & Sons teas, and one control chocolate

Tea and chocolate, much like wine and cheese, can complement and enhance each others’ flavors when properly paired. Vidal and Harney lead the crowd through an interactive tasting, which consisted of pairing six different chocolates with six different teas, clearly showcasing the brilliance of the tea-and-chocolate tango.


Vidal came bearing the best the chocolate the world has to offer from internationally renowned chocolatier, Guittard, including chocolate derived from beans grown in Sur del Lago, Madagascar, Ecuador, and Machu Picchu. Harney came equally well-equipped, wielding a multitude of tea varietals from Harney & Sons–one the most highly respected tea blenders across the globe–including whites, greens, blacks, and oolongs.


Guittard Chocolate Company’s Regional Sales Manager, Laura Tornichio-Vidal

The first pairing set the stage for an incredible, taste-budding-opening afternoon. In what proved to be an ingenious match, Harney and Vidal chose to pair a white tea, Bai Mudan, with a Sur del Lago 65% Cacao Bittersweet Chocolate (a hybrid of the Criollo and Trinitario cacao beans). The delicate, floral notes of the Bai Mudan married perfectly with the smooth, consistent sweetness of the Sur del Lago. Despite its high cacao content, the Sur del Lago had no bitter aftertaste, as many dark chocolates do. Similarly, the Bai Mudan, as is characteristic of many white teas, lacked the acidic bite of its green tea cousin. The result: a tea-and-chocolate match made in gustatory heaven.


Freshly brewed tea to pair with matching chocolate

As we continued with the tasting, Harney and Vidal drew our attention to the importance of smell to our overall enjoyment of the chocolate-tea experience. Harney pointed out that we are able to smell with far more complexity than we can taste. In other words, while our palate can generally only recognize five different flavors, our noses can detect a wide variety of smells. Further, smells immediately register in the main brain, whereas tastes register in another area of the brain and take longer to process.


Harney demonstrated the power of scent with one of the teas he brought—an organic peach black tea. One whiff and images of fresh peaches immediately came to mind, but the taste of peach was far subtler.  Vidal recommended we couple the peach tea with a delicate white chocolate to enhance the flavors. The peach tea not only accented the subtle sweetness of the chocolate, but actually conjured up the sensation of biting into warm, juicy peaches topped with fresh whipped cream–truly a full sensory experience.

raw bean

Raw Cacao Bean, from which chocolate is derived

The two guest speakers also shared some little known facts about tea and chocolate, even for the self-proclaimed aficionados in the room. Ever wonder why tea contains caffeine? According to Harney, caffeine in tea leaves serves as a defense mechanism against bugs. Once a bug bites into a tea leaf, it immediately gets a boost of energy from the caffeine, which encourages the bug to move on.


There is also a misconception that chocolate contains caffeine. According to Vidal, chocolate, and the cacao beans it stems from, are completely caffeine free.  However, if you find yourself a little energized after eating some chocolate, you aren’t imagining things; Vidal explained that chocolate has components that act like caffeine in the brain, hence the common misconception that it contains caffeine.


While it was difficult to reach a group consensus on a favorite tea-and-chocolate-match, an afternoon spent pairing the two certainly convinced us of one thing: this high-powered couple could make a serious splash on the culinary scene.